Most Pultec plugins stick to the original controls faithfully, though some deviate. Stock Pultec EQ Pluginsįirstly we should point out that depending on which DAW you use you might well already have a Pultec style EQ available to you.įor example in Studio One you have the Passive EQ in the Fat Channel XT plugin and Logic Pro has the Vintage Tube EQ plugin, both of these are excellent both in terms of their sound and their feature set, it should be remembered that a great deal of what makes a Pultec a Pultec is the control set. Here’s our list of Pultec plugins You might consider. Luckily we’re spoiled for choice when it comes to plugin versions of the EQP-1A and from free and stock plugins through to the most premium of offerings you’ll be able to find something which will do that ‘Pultec thing’. There was more than one equaliser built by Pultec but when someone talks about a ‘Pultec’ they almost always mean the EQP-1A with its high and low bands. So much so that in our recent article How many EQs Do You Really Need we concluded that you only need two, a workhorse EQ plugin and a Pultec. This legendary EQ is pretty much a ‘must have’. See and hear it demonstrated by Fab Dupont in this free extract from How To Listen: Pultec Edition on PureMix. The famous low-end trick has been an open secret among producers and engineers for a long time.

But it is at the bottom end that the EQP-1A has its hidden weapon. It is difficult to coax a harsh sound out of them. The passive design and the valve amplification make Pultecs very sweet and at the top end. This signal loss is compensated for in the Pultec using a valve amplification stage. The Pultec is a passive design, which many feel sounds better due to the simplicity of the circuit, but passive designs are inherently ‘lossy’ meaning that less signal comes out than went in. Its unusual design offers a variable width bell filter treble boost which operates at 7 switchable frequencies, a switchable low pass filter, referred to as “atten” which operates at 5, 10, and 20KHz, and the famous low-frequency cut and boost controls which, while sharing a 4 position frequency switch, have independent cut and boost controls. Designed by Ollie Summerland and Gene Shenk in 1951, the Pultec EQP-1A is the unit most people think of when they refer to a “Pultec”. Everybody who has spent any amount of time mixing will be aware of the Pultec EQ.

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